| I recently had an invitational solo exhibition 464 Gallery in Buffalo,
NY. I see this work as a turning point for me. It reaches into the
interior -- not just in subject matter, but in concept and in my
technique. Moving beyond the concrete building facades, I am really
looking to find the painting as opposed to recording the objects. This
body of work is all about the shifting nature of time, place, and
painting. It is an exploration of
instants and history. I have engaged the painting process,
influenced by Degas, Diebenkorn, Uglow, Saville, and Kanevsky, to conduct a
visual examination of Jean Paul Sartre’s reflections on existence in the novel Nausea – the instants annihilated, the
inability to hold anything as solid. Oil
allows for erasures, pentimenti, revealing transparencies, and covering impastos. I paint an entire image, scrape or turp away,
and then repeat the process. There are
always remnants in the layers. A piece
comes into being, looks complete, and then is destroyed to make way for another
story. Upon stopping a
painting, each
new viewing and viewer brings forth a combination of shifting past,
present,
and future reflections. This body of work is ongoing. I hope you
enjoy the first installation of work from "A Crowd of Small
Metamorphoses" --- more to come mid-April at Starlight Studios and
Gallery in Buffalo, NY. | |
| | |
Images are beautiful on the screen, thanks for recording them here. You are up to something good.....
ReplyDeleteKathy